Since premiering at the 2020 Sundance Film Festival, Florian Zeller's The Father has gone on to earn widespread critical acclaim and six Oscar 2021 nominations.
It revolves around Anthony (Anthony Hopkins), an elderly man suffering from Alzheimer’s, and his daughter Anne (Olivia Colman), who tries to look after him despite his worsening state.
Both Hopkins and Colman earned Oscar nods for Best Actor and Best Actress, respectively.
Other nominations include Best Picture, Best Adapted Screenplay, Best Film Editing, and Best Production Design.
Zeller, who also wrote the award-winning Le Père, previously talked to Deadline about the differences in writing for the stage versus the screen.
Let us tell you why the father has racked up six Oscar 2021 nominations with the review below.
Review The Father
The Father was originally a French-language stage play by Florian Zeller, who now directs this British adaptation that he co-wrote with Christopher Hampton, also a playwright, who translated the stage play to English for its international distribution.
What immediately sets The Father apart is that it takes Anthony’s perspective, not Anne’s, as he tries to grapple with what is to him a shifting reality.
Don’t you remember? This innocuous question, a conversational bridge and a filler in daily speech, becomes a cross that Anthony is increasingly unable to bear.
An octogenarian from London, Anthony has begun an inexorable slide into dementia. Time has lost meaning for him, even though he tries to keep up by constantly peering at his watch – if only he could find it.
The characteristics of this debilitating form of mental atrophy are brilliantly imagined for the screen in Florian Zeller’s Oscar-nominated The Father – the crippling loss of memory and inability to distinguish morning from evening, the hallucinations and the paranoia, the repetitive behaviour, the terror over the gradual loss of identity.
The only other time I had seen the point of view of a person with dementia so well represented was in the Castle Rock episode “The Queen”, a superb chapter in an otherwise okay show that followed Sissy Spacek as she wandered the halls of her memory.
The intricate screenplay explores Anthony’s escalating disorientation through a non-linear narrative, a seamless mix of imagined and actual encounters, and the recurrence of events and conversations.
Much of the movie is seen through Anthony’s eyes, nudging viewers to understand what it means to lose the ability to relate to regular life.
It’s his show but Colman gets some impactful moments along the way and the film is generous enough to understand that it’s an unbearably frustrating process for those around someone with the condition as well.
As one might expect, The Father is a hopeless tale, with Zeller taking us down further as the condition worsens with the knowledge that things won’t be getting any better, that he won’t be getting out.
It’s an experience many people will understandably want to avoid, existing just too close to home for a lot of us, easily swapping out Hopkins and inserting a family member in his place.
There is no escaping that this film is difficult to watch -I can only imagine what it must be like for people who have gone through something similar. But it really is an incredible piece of filmmaking, and you’d be worse off without it.
Where can you watch The Father movie?
On-demand services like IMDb, Amazon Prime Video, Google Play, and YouTube began offering customers The Father on Friday, March 26. So just choose your platform.
You can watch The Father ahead of the 93rd annual Academy Awards, which air last Sunday, April 25.
Above is a review of The Father to answer Why The Father has Racked Up Six Oscar 2021 Nominations
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